Auras appear to be artifacts of our interactions with all of the rest of creation to manifest what we need in our world. Auras are a sort of visual factor to understanding the negotiation or mediation processes between our conscious, subconscious and unconscious desires and our collective super-consciousness that is our link with creation whereby all our dreams are made manifest.
When we pray, meditate or day dream our Aura color meanings be a little more highly charged and that we may discover our prayers have been answered, our thoughts have turned into reality, or our dreams came true. We often attribute this type of experience to coincidence but those among us who understand the belief we create our own reality understand that this is simply not coincidence; instead, those individuals realize that this can be our natural ability to directly manipulate reality, which our company is developing on a degree of our conscious awareness using our feelings and thoughts to steer ourselves.
You will find a real interaction taking place between us and also the world around us on a subtle level which may be perceived by developing the talent to view auras. Everybody has this talent; it is an innate element of who and what we are. However, developing this talent to a degree where we might consciously perceive and study auras usually takes a little work. By imagining we already have the capacity to do that we are able to open how you can actually develop this talent in to a great tool in our lives. While imagination may be our initial step about this journey, our journey continues beyond the limits of our own imagination and could manifest in a very real talent that can help us to perceive the planet around ourselves more clearly as well as change this world more deliberately.
I discover that auras appear as colors that move about and in a subject. With any given subject there look like many associated colors, usually there are several particular colors which appear to be dominant. The shades as well as their forms and motions often alternation in reaction to my thoughts or the thoughts of my subject as I am studying them. The interactions of my thoughts with all the colors of my subject’s aura help me to to begin to build up a sense of what is happening within my subject’s life and the things they should learn.
Typically I have preferred to sketch a portrait of my subject over a roughly textured neutral gray paper with colored pastel pencils. Drawing the underlying type of my subject’s face takes about 5 minutes to make a light sketch, meanwhile the action of drawing helps to move me in to a more meditative, receptive state of mind where colors start to become clearer.
If no dominant colors or patterns are apparent i then consider each one of the colors in order from red to purple/red in a number of repetitious cycles until I sense a harmony to particular colors begin to emerge. (A collection of color flash cards or a color wheel could be a great tool for this specific purpose.)
Because the what color is my aura are moving I must observe them for patterns and intensities and after that render a montage in the themes I see in order that the most striking or important parts are portrayed.
I speak with my subject when i sketch, making suggestions that return responses in my subject’s aura which will help me to unravel the meanings from the colors and what is most likely transpiring inside my subject’s life that is being displayed inside the aura.
Dark or clouded elements of an aura typically represent secrets or information my subject is repressing. Often these are generally things my subject is painfully conscious of or is attempting to deny.
Light, bright or shining elements of a feeling indicate well being and balance. Sparkling parts represent an anticipation of imminent events.
It is possible to see the influences of some other person upon my subject as my subject focuses on that individual; it could then be apparent what role that body else plays and whether or not they will help or hinder my subject in particular ways.
Like any psychic practice, your reader should always take into consideration their particular state of being and must be careful not to project details of their own life into the reading presented to an issue.
My paper tablet becomes a special window to me. On a single side I contain myself so as not to contaminate what I see through my window. The life of my subject seems to me through my paper tablet. Your window of my paper tablet assists me in maintaining the main focus of my reading upon my subject while inhibiting me from interjecting a reading for myself to the process.
In case you are not artistically adept you may still make use of the paper tablet and colored pencils, as opposed to striving to generate a likeness of the subject’s physical features dispense with the portrait preamble and instead doodle as you study your subject up until the inspiration involves begin reading their aura.
My personal favorite blend of colors is Green and Purple. Those two colors in combination represent Art in the Magick sense and artistic activities such as writing or painting inside the more mundane aspect. Typically this color combination is accented with Gold or Yellow. Here is the property through which the Art or art talks to us, transforming us.
The potential for Art (Magick) within the act of drawing a portrait is quite strong. The reader may act as a healer and may make an effort to downplay a style that could be related to pain or suffering while playing up themes of happiness and spiritual advancement. But it is necessary to guide the niche when applying any Art, for your lesson coming from a pending hardship may be needed by the subject and also the lesson must still manifest within their life in certain form. Typically this type of lesson is replayed over and over in a subjects life; so instruction might be drawn using their past, in a way that they may finally ‘get it’ and dispense with the requirement for many further repetitions of the lesson which may become potentially harmful or unpleasant in nature.
The application of Art rarely prevents the following cycle with this repetitious lesson from playing out, nevertheless it may ameliorate the following cycle to some great or small degree and also the subject may be better capable of learn from the following repetition with their lesson in the event the reader has properly prepared those to perceive and understand their lesson.
To begin with your very own exploration of auras get some crayons plus some rough neutral paper. The backs of brown paper shopping bags are incredibly beneficial to this. You may use photographs, objects around your house, pets, plants or nljsii as the subject. Black and white photographs are particularly great for this sort of exercise. Place your subject against a neutral background like an empty white wall. Study your subject across the edges, when it is someone, pay particular attention to the crown chakra in which the energy channel is usually strongest. (You may even try directly observing a subject’s chakras.)
Personally, I get the edges of a subject’s profile are the most effective places to start seeing the interplay of colored light that emanates from within them. If you feel the thing is nothing, then imagine what you think you might see if you could see auras. Take notes with the colored pencils and attempt to associate your ideas with the Chakra colors while you take notes. This can be achieved by just using the color crayon that seems best suited for you to create your ideas with. You happen to be not required to set up your perceptions as a picture. Sometimes a thought might have one strong color and several associated colors. It is possible to loosely overwrite whatever you have written with the same words in a different color once this seems appropriate, or you will probably find new words emerge while you decide on a new color in association with something you might have already written or drawn.
Just allow this to take place; don’t get too involved with the way you do this or what you might like to know about a subject. Instead, open your heart and mind to each and every tiniest thought and feeling and follow these wherever they could lead you.